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The full name of the society is the Budokwai (The Way of Knighthood Society) [7] but it is normally called The Budokwai. The name Budokwai was chosen by the society's founder Gunji Koizumi as a combination of the Japanese words bu (武) meaning military or martial, do (道) meaning the way or code, kwai (会) meaning public building or a society/club. [8]
Gunji Koizumi (小泉 軍治, Koizumi Gunji, 8 July 1885 – 15 April 1965), known affectionately by colleagues as G.K., [1] [2] was a Japanese master of judo who introduced this martial art to the United Kingdom, [3] and came to be known as the 'Father of British Judo.' [4] [5] He was the founder of the Budokwai, a pioneering Japanese martial arts society in England.
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Written accounts from the archives of London's Budokwai judo club, founded in 1918, record the use of coloured judo belts at the 1926 9th annual Budokwai Display, and a list of ranked colored judokas appears in the Budokwai Committee Minutes of June 1927. Kawaishi visited London and the Budokwai in 1928, and was probably inspired to bring the ...
Charles Stuart William Palmer OBE (15 April 1930–17 August 2001) was a British martial artist. Palmer was a judo instructor, President of the Budokwai, President of the British Judo Association (1961–1985), President of the International Judo Federation (1965–1979) and Chairman of the British Olympic Association (1983–1988).
Judo in the United Kingdom has a long history; the martial art being first introduced in 1899, and the first dojo, the Budokwai, being the oldest in Europe. The British Judo Association is the United Kingdom's official governing body for judo – in which British citizens have won eighteen Olympic medals.
Leggett joined the Budokwai in London in 1932, training primarily under Yukio Tani, who would have a profound influence on the young man. [1] [2] [4] Biographers Anthony Dunne and Richard Bowen (2003) relate that on one occasion, Leggett "looked in at the Budokwai, but, feeling a bit off colour and deciding not to train, walked away.
Cinema in Cambodia began in the 1950s, and many films were being screened in theaters throughout the country by the 1960s, which are regarded as the "golden age". After a near-disappearance during the Khmer Rouge regime, competition from video and television has meant that the Cambodian film industry is a small one.