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Venus and Musician refers to a series of paintings by the Venetian Renaissance painter Titian and his workshop. Titian's workshop produced many versions of Venus and Musician , which may be known by various other titles specifying the elements, such as Venus with an Organist , Venus with a Lute-player , and so on. [ 1 ]
Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c. 1488/90 [1] – 27 August 1576), [2] Latinized as Titianus, hence known in English as Titian (/ ˈ t ɪ ʃ ən / ⓘ TISH-ən), was an Italian Renaissance painter, [a] the most important artist of Renaissance Venetian painting.
This painting is an example of the Venetian school of Italian Renaissance art. Paintings from Venice are characterized as having rich color schemes that create a "warm glow" and emphasize naturalism above all else. Venetian paintings also have a specialty in mythological and allegorical themes.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo ...
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo ...
Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, The Bacchanal of the Andrians, and Venus and Adonis) This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left ...
One of the finest versions of the artist’s work, Venus and Adonis, is set to appear at Sotheby’s London auction on December 7.
The version now in Madrid's Museo del Prado is generally agreed to be the earliest of the surviving versions. Although not certainly documented until 1626, [11] it is generally regarded as the painting documented as despatched to King Philip II of Spain in London (he was then married to Mary Tudor, and in fact not yet King of Spain, but King of England) by Titian in September 1554, as ...