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Takiji Kobayashi (小林 多喜二, Kobayashi Takiji, October 13, 1903 – February 20, 1933) was a Japanese writer of proletarian literature.. He is best known for his short novel Kanikōsen, or Crab Cannery Ship, published in 1929.
Kanbun, literally "Chinese writing," refers to a genre of techniques for making Chinese texts read like Japanese, or for writing in a way imitative of Chinese. For a Japanese, neither of these tasks could be accomplished easily because of the two languages' different structures. As I have mentioned, Chinese is an isolating language.
Book of Documents A collection of documents and speeches alleged to have been written by rulers and officials of the early Zhou period and before. It is possibly the oldest Chinese narrative, and may date from the 6th century BC. It includes examples of early Chinese prose. Book of Rites Describes ancient rites, social forms and court ceremonies.
The Practical Chinese Reader (Chinese: 实用汉语课本; pinyin: shíyòng hànyǔ kèběn) is a six-volume series of Chinese language teaching books developed to teach non-Chinese speakers to speak Chinese, first published in 1981. Books I and II consist of 50 lessons where the reader studies a vocabulary of 1,000 words, and basic Chinese ...
The term "pre-Classical Chinese" is used to distinguish this earlier form from Classical Chinese proper, as it did not inspire later imitation to a comparable degree despite the works' equal importance in the canon. [3] After the Han dynasty, the divergence of spoken language from the literary form became increasingly apparent.
The Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì wén), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four ...
Classical Chinese did not distinguish number in some of its pronouns, for example, 我 wǒ could mean either 'I, me' or 'we, us'. There was no 3rd-person personal pronoun form that could be used in subject position, but the distal demonstrative 彼 bǐ 'that, those' and the anaphoric demonstrative 是 shì frequently take that role.
This was a major argument in favor of the eight-legged essay, arguing that it were better to eliminate creative art in favor of prosaic literacy. In the history of Chinese literature, the eight-legged essay is often accused by later Chinese critics to have caused China's "cultural stagnation and economic backwardness" in the 19th century. [1] [2]