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Palestinian hip hop is not limited to the Palestinian Territories. Rappers and hip hop groups that consider themselves Palestinian hip hop artists have emerged around the world. These "Arab and Palestinian American hip hop artists are part of a transnational hip hop movement that includes young artists in Palestine/Israel". [9]
DAM started recording songs on their home computer, and most of their songs back then were recorded over known hip hop instrumentals. At the time, the hip-hop scene in Palestine was developing largely, and DAM in particular, got their start performing in Jerusalem. As a result, most of their earlier music was performed in Arabic.
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
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Palestinian hip-hop musicians (1 C, 2 P) Pages in category "Palestinian hip-hop" The following 3 pages are in this category, out of 3 total.
The 1980s were hip-hop’s first full decade as a documented musical genre on record, and from ’80 to ’89, rap grew from single to albums, from party songs to social commentary, from simple ...
Arabic, Hebrew, English Slingshot Hip Hop is a 2008 documentary film directed by Jackie Reem Salloum that traces the history and development of hip hop in the Palestinian territories from the time DAM pioneered the art form in the late 1990s.
The collective was founded by artists Stormtrap (later known as Asifeh) and Boikutt (later known as Muqata'a), later joined by Aswatt, who aim to rejuvenate Arabic culture by creating "music that Arabic youth can relate to," in the words of Boikutt. [4] They rap in Arabic, [5] and are credited as some of the founders of Palestinian hip-hop. [6]