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  2. Backsticking - Wikipedia

    en.wikipedia.org/wiki/Backsticking

    Backsticking is a snare drum technique characterized by swinging the butt of the drumstick to play the drum. There are many different methods. There are many different methods. The most common method is executed simply by turning the right wrist upward sharply at a 90-degree angle.

  3. Moeller method - Wikipedia

    en.wikipedia.org/wiki/Moeller_method

    The Moeller Method uses the whipping motion, described above, and applies it to the 4 basic strokes of drumming, the Full, Up, Down, and Tap strokes. [6] Using a combination of the basic strokes, in the whipping Moeller style it is possible to play extremely quickly with minimal effort, or to introduce a series of accents into a stream of notes with relative ease. [7]

  4. Snare drum technique - Wikipedia

    en.wikipedia.org/wiki/Snare_drum_technique

    Snare technique is the technique used to play a snare drum. It is studied as an end to itself by snare drummers, and as a way of developing stick control skill by kit drummers and players of other auxiliary percussion instruments. Snare drum is the first instrument that most percussionists learn to play.

  5. Category:Percussion performance techniques - Wikipedia

    en.wikipedia.org/wiki/Category:Percussion...

    Snare drum technique; Snare rush; Split-finger; Stevens grip; Sting (percussion) Y. Yatai-bayashi This page was last edited on 19 May 2013, at 14:03 (UTC). Text is ...

  6. Drum - Wikipedia

    en.wikipedia.org/wiki/Drum

    Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb ...

  7. Open, closed, open - Wikipedia

    en.wikipedia.org/wiki/Open,_closed,_open

    It is recommended that once a rudiment is learned, as far as the technical sticking and accents, that it be practiced regularly with the open, closed, open technique as well as at a moderate march tempo to ensure that a drummer or percussionist is able to play the rudiment accurately at any speed necessary for performance of musical repertoire. [4]