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Rossetti and His Circle is a book of twenty-three caricatures by English caricaturist, essayist and parodist Max Beerbohm.Published in 1922 by William Heinemann, the drawings were Beerbohm's humorous imaginings concerning the life of Dante Gabriel Rossetti and his fellow Pre-Raphaelites, the period, as he put it, "just before oneself."
Blue plaque at 57 Palace Gardens Terrace, Kensington, London Beerbohm as a child. Born in 57 Palace Gardens Terrace, London [1] which is now marked with a blue plaque, [2] Henry Maximilian Beerbohm was the youngest of nine children of a Lithuanian-born grain merchant, Julius Ewald Edward Beerbohm (1811–1892).
Fifty Caricatures is a book of fifty caricatures by English caricaturist, essayist and parodist Max Beerbohm.It was published in 1913 by William Heinemann in Britain and E.P. Dutton & Company in the United States.
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In the United States there was a 1920 limited edition from Alfred A. Knopf with drawings of the characters by Beerbohm, followed by a popular edition in 1921. An enlarged edition, Seven Men, and Two Others , containing the new story "Felix Argallo and Walter Ledgett" interpolated as the last but one item, was published by Heinemann in 1950.
"A Defence of Cosmetics" is an essay by caricaturist and parodist Max Beerbohm and published in the first edition of The Yellow Book in April 1894. Aged 21 when the essay was published, it established his reputation. It later appeared in his first book, The Works of Max Beerbohm (1896) as "The Pervasion of Rouge".
Elisabeth Jungmann, Lady Beerbohm (1894 – 28 December 1958) was an interpreter and the secretary, literary executor and second wife of the writer, caricaturist and parodist Sir Max Beerbohm. Born to a German Jewish family in Lublinitz in Upper Silesia , Jungmann was the daughter of Adolf and Agnes Jungmann and the sister of Otto Jungmann and ...