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Romeo and Juliet (Russian: Ромео и Джульетта, romanized: Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940.
This production was later staged for the La Scala Theatre Ballet and the first night took place on 20 December 1980, with Carla Fracci as Juliet and the choreographer as Romeo. [4] This production was filmed in 1983 and broadcast in Italy and Britain, with the participation of Margot Fonteyn as Lady Capulet.
Romeo and Juliet is ballet created by John Cranko to Sergei Prokofiev's eponymous score for the Stuttgart Ballet in 1962 and first seen in America in 1969. The Joffrey Ballet presented the first American production of Cranko's choreography in its 1984–1985 season, including performances in New York City at the New York State Theater and in Washington, D.C. at the Kennedy Center.
In 1938, the Kirov Theater agreed to stage Sergei Prokofiev's Romeo and Juliet. Lavrovsky and Prokofiev struggled for a period over the score and libretto, Lavrovsky eventually persuading the composer to add variations for Romeo and Juliet as well as some other incidental numbers. The ballet premiered on January 11, 1940.
Kenneth MacMillan's Royal Ballet production of Sergei Prokofiev's Romeo and Juliet premiered at the Royal Opera House, Covent Garden on 9 February 1965. [6] Though MacMillan had conceived the ballet for Lynn Seymour and Christopher Gable, for "bureaucratic reasons" Margot Fonteyn and Rudolph Nureyev danced the opening night, to MacMillan's disappointment. [7]
Romeo + Juliet, as it is displayed in print, is a ballet by New York City Ballet balletmaster-in-chief Peter Martins to Sergei Prokofiev's Romeo and Juliet (1934–1940). The premiere took place on Tuesday, 1 May 2007 at the New York State Theater , Lincoln Center .
Romeo.Juliet (1990); a motion picture conceived and performed to acclaim as a film-in-concert to the score of Sergei Prokofiev's Romeo and Juliet (Prokofiev), which captures Shakespeare's timeless tale through the mesmerizing movements of feral cats with voiceovers by an all-star cast of British theater talent reciting extracts from the play ...
The music critic David Gutman has called the suite "[o]ne of [Prokofiev's] most popular compositions today [and] also one of the most accomplished". [42] Robinson rates the Kijé suite among the composer's greatest compositions, alongside Romeo and Juliet and the Second Violin Concerto as "accessible, simple and melodic". [43]