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Convergent thinking is a term coined by Joy Paul Guilford as the opposite of divergent thinking. It generally means the ability to give the "correct" answer to questions that do not require novel ideas, for instance on standardized multiple-choice tests for intelligence .
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1] Some authors treat and use antiphrasis just as irony, euphemism or litotes. [2] When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings ...
The term "antithesis" in rhetoric goes back to the 4th century BC, for example Aristotle, Rhetoric, 1410a, in which he gives a series of examples. An antithesis can be a simple statement contrasting two things, using a parallel structure: I defended the Republic as a young man; I shall not desert her now that I am old. (Cicero, 2nd Philippic, 2 ...
The following is an example of a false dilemma with the simple constructive form: (1) "If you tell the truth, you force your friend into a social tragedy; and therefore, are an immoral person". (2) "If you lie, you are an immoral person (since it is immoral to lie)".
Newitz views hopepunk as the opposite of apathy. [21] Lee Konstantinou, associate professor of English Literature at University of Maryland, College Park, is skeptical of the genre, saying "You can't just depict an imagined world ravaged by environmental disaster or war or oppression, and then sprinkle a little bit of hope at the end. Hope has ...
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
Ivar Nilsson as the Fool in a 1908 stage production of King Lear at The Royal Dramatic Theatre in Sweden [5]. In his article "The Wisdom of the Fool", Walter Kaiser illustrates that the varied names and words people have attributed to real fools in different societies when put altogether reveal the general characteristics of the wise fool as a literary construct: "empty-headed (μάταιος ...