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Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
"Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie.The song was a bebop mainstay that became a jazz standard, [1] one of Gillespie's best known hits, [2] and according to Bebop: The Music and Its Players author Thomas Owens, "the first famous bebop recording". [3]
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It was based on the Rhythm changes, a chord progression later used as a basis for many bebop tunes. [10] Ben Webster was often asked by audiences to play his famous tenor saxophone solo note for note. [10] The name of the tune is sometimes spelled as "Cottontail".
Here are 10 songs that are favorites among A-list crowds at weddings and five that almost always end up on the "do not play" list. Songs celebrities often request "Cowboy Carter" is a favorite at ...
THE! BEST! compiles previously released material, mostly vocal pieces, with three all-new songs written for the 2005 PlayStation 2 game Cowboy Bebop: Tsuioku no Serenade, featuring the vocals of Ilaria Graziano. The first pressing of the CD included a bonus sticker. [citation needed] These songs were the last new material released by Seatbelts.
"Conception" is a 1949 jazz standard written by George Shearing in the bebop style. [1] The composition is in the key of Db and is noticeable for its chromatic descending chord sequences. The original score was adapted by Miles Davis in 1950, who created an arrangement that kept Shearing's chord changes and main theme, but replaced the composition's bridge and ending with new melod