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The recorder is a very social instrument. Many recorder players participate in large groups or in one-to-a-part chamber groups, and there is a wide variety of music for such groupings including many modern works. Groups of different sized instruments help to compensate for the limited note range of the individual instruments.
He is best known for the invention of the crossword puzzle in 1913, when he was a resident of Cedar Grove, New Jersey. [5] Wynne created the page of puzzles for the "Fun" section of the Sunday edition of the New York World. For the December 21, 1913, edition, he introduced a puzzle with a diamond shape and a hollow center, with the letters F-U ...
Crossword-like puzzles, for example Double Diamond Puzzles, appeared in the magazine St. Nicholas, published since 1873. [31] Another crossword puzzle appeared on September 14, 1890, in the Italian magazine Il Secolo Illustrato della Domenica. It was designed by Giuseppe Airoldi and titled "Per passare il tempo" ("To pass the time"). Airoldi's ...
Eugène Arnold Dolmetsch (24 February 1858 – 28 February 1940), was a French-born musician and instrument maker who spent much of his working life in England and established an instrument-making workshop in Haslemere, Surrey. He was a leading figure in the 20th-century revival of interest in early music.
Patrick D. Berry (born 1970) is an American puzzle creator and editor who constructs crossword puzzles and variety puzzles. He had 227 crosswords published in The New York Times from 1999 to 2018. His how-to guide for crossword construction was first published as a For Dummies book in 2004.
1913: The crossword puzzle invented by Liverpool-born Arthur Wynne (1871–1945). 1922: Discovery of Tutankhamun's tomb by Archaeologist and Egyptologist Howard Carter, funded by Lord Carnarvon. 1933: Bayko – a plastic building model construction toy, and one of the earliest plastic toys to be marketed [249] – invented by Charles Plimpton ...
More recently, the tenor recorder has become the subject of experimentation into modern "harmonic" recorders, so called because of their in-tune harmonics. [2] Nick Tarasov and Joachim Paetzold started experimenting with "harmonic" recorders in the 1930s, with the goal to "strengthen the original characteristics of the recorder and minimize the weakness of standard models". [3]
As an authentic instrument, the great bass recorder has a short history of about 100 to 120 years. The instrument is only described in the Syntagma Musicum of Michael Praetorius (1619) and Marin Mersenne (L'Harmonie Universelle, Paris 1637). The earliest great bass recorder is probably that in the collection of Venetian Catajo Palace.