Search results
Results From The WOW.Com Content Network
Ishar Singh (1860–ca.1910), also known as Ishar Singh Naqqash or Ishar Singh Mahant, was a Sikh artist. [2] [3]: xxi [4] Ishar Singh was born in 1860 and his father was Bhai Ram Singh Mussawar. [5] Ishar Singh specialized in the Kangra-style and also carried-out mural work.
[3] [61] The couple had two sons, Ishar Singh and Inderjit Singh, in 1971 and 1975, respectively. [4] After the death of Bhindranwale, Pritam Kaur moved along with her sons to Bilaspur village in Moga district and stayed with her brother. [61] She died of heart ailment at age 60, on 15 September 2007 in Jalandhar. [62]
Bishan Singh also was the art teacher of his two sons, Nihal Singh and Jawahar Singh. [4] They painted natural and realistic figuratives, such as flora or fauna, rather than fantastical or mythological-based elements. [4] Nihal Singh was the instructor of Bhai Gian Singh Naqqash, the last of the traditional Sikh muralists. [4]
Raja Rai Singh was particularly influenced by Mughal art. They painted scenes from the Ragmala, Bhagavata Purana, and Rasalila. What distinguishes the Bikaner style of painting [3] from other Rajasthani styles of painting are finer lines and a more reserved range of colours than what are typically present in Mughal artwork.
Ishar Bindra (1921-2015) was an Indian-American investor, entrepreneur and philanthropist. He was also the founder-trustee of the Sikh Forum of New York, senior vice president of the Hemkunt Foundation, and patron of the Sikh Art and Film Foundation.
Havildar Ishar Singh (1858 – 12 September 1897), IOM, IDSM was an Indian-Sikh Havildar and war hero of the 36th Sikhs. He was known leading the regiment on a last stand against the 10,000-12,000 strong Pashtun tribesmen with only 20 other men at the Battle of Saragarhi. After sustaining enough resistance, Singh was fighting alone but refused ...
English: Oil painting of a Sikh prince displayed in the Lahore Museum. 1) The source this image was taken from identifies the depicted individual as Maharaja Nau Nihal Singh. 2) The individual depicted is alternatively identified as Kunwar Kharak Singh as according to the following link: 3) Other sources state this is a depiction of Duleep Singh.
A virgin girl only has the privilege of giving the first stroke of the brush on the Phad painting; normally the girl belongs to the painter's family or to a high-caste. An outline of the painting is drawn by the artist with light yellow colour paint; only earth colours or vegetable colours or indigo are used. The colours are then mixed with gum ...