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Kodak Pocket Instamatic 60 using 110 film.. In 1972, Kodak introduced the Pocket Instamatic series for its new 110 format. [15] The 110 cartridge had the same easy-load cartridge design with an integral take-up spool as the 126 format, but was much smaller, allowing the cameras to be very compact (hence the "Pocket" designation).
The Ciné-Kodak Special (CKS) family of precision, versatile, spring-wound 16 mm silent movie cameras were produced by Eastman Kodak from the 1930s to the 1960s; while the regular Ciné-Kodak 16 mm movie cameras were marketed to amateurs, the Ciné-Kodak Specials were intended for advanced consumers and industry professionals.
Kodak and Polaroid were partners from the 1930s until the 1960s, with Polaroid purchasing large quantities of film from Kodak for its cameras and further research and development. Their cooperative partnership came to an end in the late 1960s, when Polaroid pursued independent production of its film and Kodak expressed an interest in developing ...
The first camera to be formatted for the new film was the Kodak M2. During the late 1960s, cameras were only formatted to film at 18 frames per second, but as technology improved, speeds such as 24 frame/s (the motion-picture standard) and faster speeds (for slow-motion filming) were incorporated into camera mechanics.
The Brownie was a series of camera models made by Eastman Kodak and first released in 1900. [1]It introduced the snapshot to the masses by addressing the cost factor which had meant that amateur photography remained beyond the means of many people; [2] the Pocket Kodak, for example, would cost most families in Britain nearly a whole month's wages.
The Kodak Type 025 Retina Reflex is an SLR camera that uses convertible lenses (German: Wechselobjektiv), made by Kodak Stuttgart, Germany. It was made between Spring 1957 and October 1958. Like many 35 mm SLR cameras of West German heritage it is equipped with a leaf shutter instead of a focal plane shutter.