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The August Wilson Theatre (formerly the Guild Theatre, ANTA Theatre, and Virginia Theatre) is a Broadway theater at 245 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, the theater was designed by C. Howard Crane and Kenneth Franzheim and was built for the Theatre Guild .
August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America". [ 1 ] He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle ) , which chronicle the experiences and heritage of the ...
Joe Turner's Come and Gone is the second in a series of August Wilson's The Century Cycle, which chronicled the struggles and lives of African Americans in the 20th century. Joe Turner's Come and Gone is set in the second decade of the 20th century and chronicles the lives of a few freed former enslaved African Americans in the North and deals ...
King Hedley II is the ninth play in August Wilson’s ten-play cycle that, decade by decade, examines African American life in the United States during the twentieth century. Set in Pittsburgh, Pennsylvania in 1985, it tells the story of an ex-con in Pittsburgh trying to rebuild his life.
Site-specific theatre is a theatrical production that is performed at a unique, specially adapted location other than a standard theatre.This unique site may have been built without any intention of serving theatrical purposes (for example, a hotel, courtyard, or converted building).
Jitney is a play by American playwright August Wilson. The eighth in his " Pittsburgh Cycle ", this play is set in a worn-down gypsy cab station in Pittsburgh, Pennsylvania , in early autumn 1977. The play premiered on Broadway in 2017.
Ma Rainey's Black Bottom is a 1982 play – one of the ten-play Century Cycle by August Wilson – that chronicles the 20th-century African-American experience. The play is set in a recording studio in 1920s Chicago, and deals with issues of race, art, religion, and the historic exploitation of black recording artists by white producers.
Established in the 1983, [12] the Lula Washington Dance School offers elementary and advanced classes in ballet, jazz, African, tap, and other dance styles. [4] [6] The school’s annual Kwanzaa celebration is a South Los Angeles tradition. [2] [13] The school’s motto is, “I Do Dance, Not Drugs.” [4]