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Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
Features heroes that embody the values of the civilization. Often features the tragic hero's descent into the underworld or hell. The hero generally participates in a cyclical journey or quest, faces adversaries that try to defeat them in their journey, and returns home significantly transformed by their journey.
The hero is often righteous or moralistically good, especially in the ancient epic, or else above all others in some field such as combat or leadership. The hero is the vehicle by which the epic's long, difficult narrative must be carried. They must therefore be a strong, distinct, and memorable character. [2]
The Story of Sigurd the Volsung and the Fall of the Niblungs (1876) is an epic poem of over 10,000 lines by William Morris that tells the tragic story, drawn from the Volsunga Saga and the Elder Edda, of the Norse hero Sigmund, his son Sigurd (the equivalent of Siegfried in the Nibelungenlied and Wagner's Ring of the Nibelung [1] [2]) and Sigurd's wife Gudrun.
Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes of human nature, mainly as a way of connecting with the audience ...
The death of the former is heroic rather than tragic; it usually brings destruction, not restoration, as in classical tragedy; and the hero's goal is frequently revenge, which would be hamartia (a flaw) in a tragic hero. [23] [24] In the Germanic sphere, the hero is usually defined by an amazing deed or deeds that show his heroic qualities. [14]
The four heroes from the 16th-century Chinese novel Journey to the West. In narratology and comparative mythology, the Rank–Raglan mythotype (sometimes called the hero archetypes) is a set of narrative patterns proposed by psychoanalyst Otto Rank and later on amateur anthropologist Lord Raglan that lists different cross-cultural traits often found in the accounts of heroes, including ...
The antonym of hero is villain. [3] Other terms associated with the concept of hero may include good guy or white hat. In classical literature, the hero is the main or revered character in heroic epic poetry celebrated through ancient legends of a people, often striving for military conquest and living by a continually flawed personal honor ...