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A post-war guide (presumably c. 1958) explaining the names used by ATF for their many somewhat related 'gothic' types and highlighting their then-new News Gothic Bold. [3] Benton's autobiographical notes list the following designs as his contributions to the family: [4] News Gothic; News Gothic Condensed; News Gothic Extra Condensed
A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
Franklin Gothic Condensed + Extra Condensed (1906, Benton) Franklin Gothic Italic (1910, Benton) Franklin Gothic Condensed Shaded (1912, Benton) Freehand (1917, Benton) Gallia (1927, Wadsworth A. Parker), some sources attribute this to Benton. Garamond series, based upon the designs of 16th-century type founder, Claude Garamond.
Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau.It is based on the sans-serif typefaces designed for American Type Founders by Morris Fuller Benton around the beginning of the twentieth century in the industrial or grotesque style.
Specimens of typefaces by Morris Fuller Benton. Morris Fuller Benton (November 30, 1872 – June 30, 1948) was an American typeface designer who headed the design department of the American Type Founders (ATF), for which he was the chief type designer from 1900 to 1937.
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A final member of the family, Bernhard Gothic Medium Condensed, was introduced by ATF in 1936, but it is unclear as to who the designer was. [1] Bernhard Gothic is more organic and less regular than other geometric sans-serif typefaces, including Futura, Kabel, and Twentieth Century, showing influence of Bernhard's earlier more expressionistic ...
Sol Hess (born 1886, Philadelphia, PA – d. 1953) was an American typeface designer.After a three-year scholarship course at Pennsylvania Museum School of Industrial Design, he began at Lanston Monotype in 1902, rising to typographic manager in 1922.