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Murphy's law [a] is an adage or epigram that is typically stated as: "Anything that can go wrong will go wrong.".. Though similar statements and concepts have been made over the course of history, the law itself was coined by, and named after, American aerospace engineer Edward A. Murphy Jr.; its exact origins are debated, but it is generally agreed it originated from Murphy and his team ...
The song was Helen O'Connell's first solo hit. Her recording for Capitol (No. 1368) with Dave Cavanaugh's orchestra reached the No. 16 spot on the Billboard charts during a 10-week stay in 1951. [2] In the UK, the song reached No. 8 on the sheet music charts, with British covers by Steve Conway, Dick James, Joe Loss and his orchestra, and Jimmy ...
"Love means never having to say you're sorry" is a catchphrase based on a line from the Erich Segal novel Love Story and was popularized by its 1970 film adaptation starring Ali MacGraw and Ryan O'Neal. The line is spoken twice in the film: once in the middle of the film, by Jennifer Cavalleri (MacGraw's character), when Oliver Barrett (O'Neal ...
“Do what you love, and you’ll never work a day in your life.” Although the precise attribution of this quote remains elusive, the sentiment makes so much sense it can go unchallenged. No one ...
The inclusion of the song has caused some fans to spiral over the idea that “Lover” and some of Swift’s other love songs about Alwyn — including “Sweet Nothing” — represent what it ...
"More Today Than Yesterday" is a song written by Pat Upton and performed by Spiral Starecase, of which Upton was the lead vocalist. The song was produced by Sonny Knight and arranged by Al Capps . [ 3 ]
Despite being more than 30 years old, the love languages theory has gained a remarkable amount of traction in the last three to four years, spurred on by social media and the TikTokification of ...
The final song on The New Christy Minstrels' May 1964 Columbia Records album Today, [4] the title track was released as the single Columbia 43000 with the B side "Miss Katy Cruel". The record peaked at No. 17 on the Billboard magazine "Hot 100" chart and No. 4 on the magazine's Adult Contemporary chart. [5] [6]