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Midrash Tehillim (Hebrew: מדרש תהלים), also known as Midrash Psalms or Midrash Shocher Tov, is an aggadic midrash to the Psalms. Midrash Tehillim can be divided into two parts: the first covering Psalms 1–118, the second covering 119–150.
This midrash is different from all the other aggadic midrashim, in that its interpretations approach the simple exegesis then in vogue, being brief and free from the prolixity found in the other midrashim, so that this work is in the form of a commentary rather than in that of a midrash. The interpretations follow immediately upon the words of ...
Midrash HaGadol (in English: the great midrash) (in Hebrew: מדרש הגדול) was written by Rabbi David Adani of Yemen (14th century). It is a compilation of aggadic midrashim on the Pentateuch taken from the two Talmuds and earlier Midrashim of Yemenite provenance.
Version B is a compilation of allegoric and mystic Aggadahs suggested by the names of the various letters, the component consonants being used as acrostics (). [1]Aleph (אלף = אמת למד פיך, "thy mouth learned truth") suggests truth, praise of God, faithfulness (אמונה = emunah), or the creative Word of God (אמרה = imrah) or God Himself as Aleph, Prince and Prime of all ...
Created Date: 8/30/2012 4:52:52 PM
It must be assumed, therefore, that Ishmael composed an explanatory midrash to the last four books of the Torah, and that his pupils amplified it. [8] A later editor, intending to compile a halakhic midrash to Exodus, took Ishmael's work on the book, beginning with ch. 12, since the first eleven chapters contained no references to the halakha. [9]
Midrash Eleh Ezkerah, on the execution of the ten sages by the Roman emperor Hadrian. Midrash Eser Galiyyot, the ten exiles of the Jews up to the time of Hadrian. Midrash Esfah, on verses from the books of Numbers and Deuteronomy. Only fragments survive. Midrash Hallel. See Midrash Tehillim; Midrash Leku Nerannena, a collection for Hanukkah ...
The core of the Pesikta is old and must be classed together with Genesis Rabbah and Lamentations Rabbah.But the proems in the Pesikta, developed from short introductions to the exposition of the scripture into more independent homiletic structures, as well as the mastery of form apparent in the final formulas of the proems, indicate that the Pesikta belongs to a higher stage of midrashic ...