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Peril at End House is a work of detective fiction by British writer Agatha Christie, first published in the US by the Dodd, Mead and Company in February 1932 [1] and in the UK by the Collins Crime Club in March of the same year. [2]
Based on an idea toyed with in Peril at End House (chapter 9) – a clever and interesting one, but needing greater subtlety in the handling than Christie's style or characterisation will allow (the characters here are in any case quite exceptionally pallid). In fact, for a long-cherished idea, and as an exit for Poirot, this is oddly ...
Lord Edgware Dies is a work of detective fiction by British writer Agatha Christie, published in the UK by the Collins Crime Club in September 1933 [1] and in the US by Dodd, Mead and Company later in the same year under the title of Thirteen at Dinner.
After the Funeral is a work of detective fiction by Agatha Christie and first published in the US by Dodd, Mead and Company in March 1953 under the title of Funerals are Fatal [1] and in UK by the Collins Crime Club on 18 May of the same year under Christie's original title. [2]
The film was based on the 1933 Agatha Christie novel Lord Edgware Dies. Trevor reprised his role as Hercule Poirot for a third time, having previously played him in Alibi and Black Coffee, both released in 1931. Like them, it was filmed at Twickenham Film Studios. While the two earlier films are now lost, this production still survives.
Peril at End House is a 1940 play based on the 1932 novel of the same name by Agatha Christie. The play is by Arnold Ridley , who much later played Private Godfrey in Dad's Army . Ridley was granted permission to adapt the book in an agreement with Christie dated 18 July 1938.