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Osamu Dazai's look and personality were designed to contrast with the young lead, Atsushi's. His name is the same as that of the late author Osamu Dazai, and his personality was partially based on the main character from the television series The Mentalist. His backstory was also influenced by the real-life Dazai, as the author was captivated ...
Shūji Tsushima (津島 修治, Tsushima Shūji, 19 June 1909 – 13 June 1948), known by his pen name Osamu Dazai (太宰 治, Dazai Osamu), was a Japanese novelist and author. [1] A number of his most popular works, such as The Setting Sun (斜陽, Shayō ) and No Longer Human (人間失格, Ningen Shikkaku ), are considered modern classics.
No Longer Human (Japanese: 人間失格, Hepburn: Ningen Shikkaku), also translated as A Shameful Life, is a 1948 novel by Japanese author Osamu Dazai.It tells the story of a troubled man incapable of revealing his true self to others, and who, instead, maintains a façade of hollow jocularity, later turning to a life of alcoholism and drug abuse before his final disappearance.
The Setting Sun (斜陽, Shayō) is a Japanese novel by Osamu Dazai first published in 1947. [ 1 ] [ 2 ] [ 3 ] The story centers on an aristocratic family in decline and crisis during the early years after World War II .
Named after Osamu Dazai. Belonged by Armed Detective Agency. A feared former executive of the Port Mafia, now working with the Agency. He takes Atsushi under his wing, which is the primary reason Akutagawa resents Atsushi, as Dazai had abused and later abandoned Akutagawa as his "mentor" when he left the Port Mafia.
Sakunosuke Oda (織田 作之助, Oda Sakunosuke, October 26, 1913 – January 10, 1947) was a Japanese writer.He is often grouped with Osamu Dazai and Ango Sakaguchi as the Buraiha.
The Beggar Student (乞食学生, Kojiki Gakusei) is a 1940 Japanese novella by Osamu Dazai.Set in Tokyo during WWII, the story stars a fictionalized version of the author who is roused from his depression by a high school dropout named Saeki and convinced to take his place as the live narrator for a silent film.
[183] [184] On the other hand, he disliked story manga with humanist or cosmopolitan themes, such as Osamu Tezuka's Phoenix. [180] [181] Mishima was a fan of science fiction, contending that "science fiction will be the first literature to completely overcome modern humanism". [185] He praised Arthur C. Clarke's Childhood's End in particular ...