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The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
A worldview (also world-view) or Weltanschauung is the fundamental cognitive orientation of an individual or society encompassing the whole of the individual's or society's knowledge, culture, and point of view. [1] A worldview can include natural philosophy; fundamental, existential, and normative postulates; or themes, values, emotions, and ...
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants is about botany and the relationship to land in Native American traditions. [1] Kimmerer, who is an enrolled member of the Citizen Potawatomi Nation, writes about her personal experiences working with plants and reuniting with her people's cultural ...
A traditional Kyrgyz manaschi performing part of the Epic of Manas at a yurt camp in Karakol. Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
A colonial mentality is the internalized attitude of ethnic or cultural inferiority felt by people as a result of colonization, i.e. them being colonized by another group. [1] It corresponds with the belief that the cultural values of the colonizer are inherently superior to one's own. [2]
Literature can be described as all of the following: Communication – activity of conveying information. Communication requires a sender, a message, and an intended recipient, although the receiver need not be present or aware of the sender's intent to communicate at the time of communication; thus communication can occur across vast distances in time and space.
It was first published in 1973 with a completely revised and updated version in 1985 called The New Guide to Modern World Literature at 1,396 pages. [1] The book covers an estimated 2,700 authors and more than 7,500 titles. [1] It contains a total of 33 chapters that treat all modern national literatures individually or in groups. [1]