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Prosopometamorphopsia (PMO), [1] also known as demon face syndrome, [2] is a neurological disorder characterized by altered perceptions of faces. In the perception of a person with the disorder, facial features are distorted in a variety of ways including drooping, swelling, discoloration, and shifts of position.
1722 German woodcut of a werewolf transforming. Popular shapeshifting creatures in folklore are werewolves and vampires (mostly of European, Canadian, and Native American/early American origin), ichchhadhari naag (shape-shifting cobra) of India, shapeshifting fox spirits of East Asia such as the huli jing of China, the obake of Japan, the Navajo skin-walkers, and gods, goddesses and demons and ...
Face of the Future was a project established in 2005 [1] by the University of St Andrews and Perception Lab, funded by the EPSRC. [2] The website contained "Face Transformer", which enables users to transform their face into any ethnicity and age as well as the ability to transform their face into a painting (in the style of either Sandro Botticelli or Amedeo Modigliani).
Prosopagnosia, [2] also known as face blindness, [3] is a cognitive disorder of face perception in which the ability to recognize familiar faces, including one's own face (self-recognition), is impaired, while other aspects of visual processing (e.g., object discrimination) and intellectual functioning (e.g., decision-making) remain intact.
"You could see a diamond-shaped face, and someone else would call it an oblong face," says Dr. Tripathi. "There's a more gaunt temple area, more width to the mid-face, and then a narrower lower face."
The flashed face distortion effect is a visual illusion involving the fast-paced presentation of eye-aligned faces. [1] Faces appear grotesquely transformed while the viewer focuses on the cross midway between them. [2] [3] As with many scientific discoveries, the phenomenon was first observed by chance.
Bruce & Young Model of Face Recognition, 1986. One of the most widely accepted theories of face perception argues that understanding faces involves several stages: [7] from basic perceptual manipulations on the sensory information to derive details about the person (such as age, gender or attractiveness), to being able to recall meaningful details such as their name and any relevant past ...
Mirror touch synesthetes have a higher ability to feel empathy than non-synesthetes, and can therefore feel the same emotions that someone else may be observed to feel. [7] Additionally, some individuals experience pain when observing someone else in pain, and this is a condition usually developed from birth.