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The baptismal font at St Bartholomew's Church, Liège is a Romanesque brass or bronze baptismal font made between 1107 and 1118 now in the Collegiate Church of St. Bartholomew in Liège, Belgium. The font is a major masterpiece of Mosan art , remarkable for the classicism of its style, whose origin has been the subject of great debate among art ...
A modern baptismal font in the Co-Cathedral of the Sacred Heart in Houston, constructed in 2008. A baptismal font is an ecclesiastical architectural element, which serves as a receptacle for baptismal water used for baptism, as a part of Christian initiation for both rites of infant and adult baptism. [1]
A holy water font or stoup is a vessel containing holy water which is generally placed near the entrance of a church. It is often placed at the base of a crucifix or other Christian art . It is used in Catholic , as well as many Lutheran and Anglican churches, to make the sign of the cross using the holy water upon entrance of the church. [ 1 ]
Christian Schwartz (born December 30, 1977, in Concord, New Hampshire, United States) is an American type designer. He has been awarded the German Design Award and the Prix Charles Peignot . Life
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
The Evangelical and Ecumenical Women's Caucus (EEWC), also known as Christian Feminism Today (CFT), [1] is a group of evangelical Christian feminists founded in 1974. [2] It was originally named the Evangelical Women's Caucus ( EWC ) because it began as a caucus within Evangelicals for Social Action , which had issued the "Chicago Declaration".
A number of common genres of display typeface. A display typeface is a typeface that is intended for use in display type (display copy) at large sizes for titles, headings, pull quotes, and other eye-catching elements, rather than for extended passages of body text.
The book features one-page profiles of 13 African American women written by Hansen, alongside black-and-white photographic portraits of each woman. [1] [2] The portraits were part of a poster series created by Bread and Roses, a cultural project of 1199 National Health and Human Services Employees Union.