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The bass flute is an octave lower than the concert flute, and the contrabass flute is an octave lower than the bass flute. Less commonly seen flutes include the treble flute in G, pitched one octave higher than the alto flute; soprano flute, between the treble and concert; and tenor flute or flûte d'amour in B ♭ , A or A ♭ [ citation ...
The trill is frequently found in classical music for all instruments, although it is more easily executed on some than others. For example, while it is relatively easy to produce a trill on the flute, the proper execution on brass instruments requires higher skill and is produced by quickly alternating partials. While playing a trill on the ...
The flûte d'amour or flauto d'amore is pitched in A ♭, A, or B ♭ and is intermediate in size between the modern C concert flute and the alto flute in G. It is the mezzo-soprano member of the flute family. It is sometimes referred to as a tenor flute.
Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in wind instruments[,] a hole that may be stopped by the finger, or a key, to change the pitch of the tone produced." [1] The resonant frequencies of the air column in a pipe are inversely proportional to the pipe's effective length. In other words ...
The word flute first appeared in the English language during the Middle English period, as floute, [13] flowte, or flo(y)te, [14] possibly from Old French flaute and Old Provençal flaüt, [13] or possibly from Old French fleüte, flaüte, flahute via Middle High German floite or Dutch fluit.
The desired instrument for the fiauti d'echo parts in BWV 1049 has been a matter of perennial musicological and organological debate for two primary reasons: first, the term fiauto d'echo is not mentioned in dictionaries or tutors of the period; and second, the first fiauto part uses F#6, a note which is difficult to produce on a Baroque alto ...
While there is no exact date that the alto flute was created, large flutes have existed for several hundred years. [1] Some problems with early alto flute design included the long length of the tube, troublesome cross fingerings, inconsistent intonation, finger holes that were too wide across, and how far one’s arm had to be stretched in order to reach the finger holes, particularly in the ...
' coloring ', from Latin colorare 'to color') [1] is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material, [1] [2] or a passage of such music. Operatic roles in which such music plays a prominent part, and singers of these roles, are also called coloratura. [3] Its instrumental equivalent is ornamentation.