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The Chesterfield coat, with its heavy waist suppression using a waist seam, gradually replaced the over-frock coat during the second half of the 19th century as a choice for a formal overcoat, and survived as a coat of choice over the progression from frock coat everyday wear to the introduction of the lounge suit, but remained principally associated with formal morning dress and white tie.
Prior to the inception of the Ulster coat in the first half of the nineteenth century, the greatcoat or surtout was the main component of a gentleman's wardrobe. Whilst fashionable at the time, these garments proved to be very cumbersome for travel due to the heavy lengths of overlapping cloth involved in creating the silhouette.
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An overcoat is designed to be worn as the outermost garment worn as outdoor wear; [14] while this use is still maintained in some places, particularly in Britain, elsewhere the term coat is commonly used mainly to denote only the overcoat, and not the under-coat. A topcoat is a slightly shorter [citation needed] overcoat, if any distinction is ...
An overcoat is a type of long coat intended to be worn as the outermost garment, which usually extends below the knee. Overcoats are most commonly used in winter when warmth is sought. They are sometimes confused with or referred to as topcoats, which are shorter and end at or above the knees. Topcoats and overcoats together are known as ...
In the early 1800s, women wore thin gauzy outer dresses while men adopted trousers and overcoats. Rutger Jan Schimmelpenninck and his family, 1801–02, by Pierre-Paul Prud'hon Madame Raymond de Verninac by Jacques-Louis David, with clothes and chair in Directoire style. "Year 7", that is 1798–99.