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Georg Schäfer (September 7, 1896, in Schweinfurt – January 27, 1975, in Erlangen) was a German industrialist and art collector. After his death, most of his art collection was housed in the Museum Georg Schäfer in Schweinfurt .
The Museum Georg Schäfer is a German art museum in Schweinfurt, Bavaria. Based on the private art collection of German industrialist Georg Schäfer (1896–1975), the museum primarily collects 19th-century paintings by artists from German-speaking countries.
The first, painted ca. 1850, was listed under the title of The Librarian and sold in Vienna to Ignaz Kuranda in 1852 and now belongs to the collection of the Museum Georg Schäfer in Schweinfurt. An exemplar of the same dimensions was painted by Spitzweg a year later and sent for sale to his New York art dealer HW Schaus.
Georg Johannes Schäfer (March 25, 1926 – January 11, 1991) also known by the pseudonym Oma Ziegenfuss, was a German painter, poet, and author who lived in Guatemala and the United States. Early life and wartime activities
The school was founded as the Herzoglichen Kunstgewerbeschule und Fachschule für die Metallindustrie (Ducal School of Arts and Crafts and School for the Metal Industry). It merged into the Staatlichen Höheren Wirtschaftsfachschule , a tertiary institute for economics founded in 1963, a predecessor of the Hochschule Pforzheim , a business ...
The Rudolph Schaeffer School of Design was an art school founded in 1924 in San Francisco, California. [2] Originally named the Rudolph Schaeffer School of Rhythmo-Chromatic Design, located at 136 St. Anne Street [ 4 ] with large front windows looking out on Saint Mary's Square and Beniamino Bufano ' s Sun Yat Sen statue, in the Chinatown ...
George Schaeffer, American football player; George C. Schaeffer (1814–1873), American engineer, chemist, and librarian; George E. Schafer (1922–2015), United States Air Force surgeon general; Georg Schäfer (industrialist) (1896–1975), German industrialist and art collector; Georg Schäfer (artist) (1926–1991), German-American painter
Georg Schaefer, a wealthy industrialist living in Schweinfurt approached Mies about the construction of a museum for his nineteenth-century art collection during the summer of 1960. A modest initial plan was drawn for the structure, but later that year Mies decided to reconfigure the unbuilt Bacardí project to fit Schaefer's program as he ...