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The First Violin Concerto was composed through the campaign against formalism in music, during which Shostakovich was among six composers censured. Because of this hostile environment, Shostakovich kept the concerto unpublished until Stalin's death in March 1953 and the thaw that followed.
Although the first movement is mostly in the conventional sonata form, Mendelssohn has the first theme played by the solo violin and then by the orchestra. Classical concertos typically opened with an orchestral introduction followed by a version of essentially the same material that incorporates the soloist.
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn.
First performed at the Imperial Bolshoi Kamenny Theatre of Saint Petersburg on 24 February [O.S. 12 February] 1859. George Rochberg – Caprice Variations (1970), 50 variations for solo violin; Michael Romeo – "Concerto in B Minor" is an adaptation of Allegro Maestoso (first movement) of Paganini's Violin Concerto No. 2 in B minor, Op. 7.
The first movement is unusual in that it is a Vorspiel, a prelude, to the second movement and is directly linked to it. [6] The piece starts off slowly, with the melody first taken by the flutes, and then the solo violin becomes audible with a short cadenza. This repeats again, serving as an introduction to the main portion of the movement ...
The first movement, marked Andantino and commencing in 6/8 meter, opens with a lyrical violin melody to be played sognando (dreamily) and pianissimo (very softly) over viola tremolos. The solo violin is joined in dialogue by the flutes, clarinets, and oboes. [12]
The first movement begins passionately, with the theme first played by the violin and amenable like so many of Schumann's themes to canonic treatment; Schumann once remarked on this fact himself. This theme serves to introduce a compact, driven sonata form pushed ahead by economical use of rhythms (new themes often are based on some of the same ...
Ottorino Respighi (/ r ɛ ˈ s p iː ɡ i / reh-SPEE-ghee, [1] US also / r ə ˈ-/ rə-, [2] Italian: [ottoˈriːno reˈspiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century.