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Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major, the subdominant of the relative major B ♭, for the slow movement, with other examples including Joseph Haydn's No. 39 and Johann Baptist Wanhal's G minor symphony from before 1771. [3]
A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. [1] [2] The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to parallel minor or major, which shares the same tonic.)
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
The relative minor is always a minor third lower than its relative major. The key signatures with seven flats and seven sharps are usually notated in their enharmonic equivalents. C ♯ major (seven sharps) is usually written as D ♭ major (five flats) and C ♭ major is usually written as B major .
Another convention of G minor symphonies observed in Mozart's No. 25 and No. 40 was the choice of the subdominant of the relative key (B ♭ major), E ♭ major, for the slow movement; other non-Mozart examples of this practice include J. C. Bach Op. 6, No. 6, from 1769, Haydn's No. 39 (1768/69) and Johann Baptist Wanhal's G minor symphony ...
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G major is the key stipulated for the royal anthem of Canada, "God Save the King". [4] The anthem " God Defend New Zealand " ("Aotearoa") was originally composed by John Joseph Woods in A-flat major , but after becoming New Zealand's national anthem in 1977, it was rearranged into G major to better suit general and massed singing. [ 5 ]
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