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2. Eddie Rector - Wikipedia

   en.wikipedia.org/wiki/Eddie_Rector

   The American Tap Dance Foundation lists Eddie Rector as an influencer of the soft shoe styles of the Nicolas Brothers and Pete Nugent. [30] Rector's soft shoe influenced the Copasetics, a group of male tap dance artists formed to honor the legacy of Bill Bojangles Robinson. Their “copasetic soft shoe” is copied and danced by many to this ...

3. Category:Dance shoes - Wikipedia

   en.wikipedia.org/wiki/Category:Dance_shoes

   Pages in category "Dance shoes" ... Tap shoe This page was last edited on 22 April 2014, at 19:43 (UTC). Text is available under the Creative Commons ...

4. Anello & Davide - Wikipedia

   en.wikipedia.org/wiki/Anello_&_Davide

   They supplied bespoke dance shoes to London theatres and went on to provide shoes for films from the 1930s onwards. From the 1960s onwards the performance footwear that Anello & Davide sold became fashionable street wear. One particularly successful woman's style was the tap-dancer's shoe with a bar strap and

5. Tap dance - Wikipedia

   en.wikipedia.org/wiki/Tap_dance

   Tap shoes. In the earliest years of tap dancing, tap shoes often had wooden soles. [26] The soles of modern tap shoes are either full-sole or split-sole. A full-sole tap shoe has a continuous base material along the underside of the shoes; a split-sole tap shoe has a gap in the base material under the arch of the foot, making them more flexible.

6. Ghillies (dance shoes) - Wikipedia

   en.wikipedia.org/wiki/Ghillies_(dance_shoes)

   They are soft shoes, similar to ballet shoes. They are used by women in Irish dance, by men and women in Scottish country dance, and by men and women in Scottish highland dance. Ghillies are also sometimes known by a variety of other names that include: light shoes, pomps, pumps, and soft shoes.

7. Bloch (company) - Wikipedia

   en.wikipedia.org/wiki/Bloch_(company)

   The Bloch company was founded by Jacob Bloch, a cobbler who emigrated from Eastern Europe to Australia in 1931. [1] Bloch began making pointe shoes in a workshop in Paddington, Sydney in 1932, when he noticed a ballet dancer struggling to stay en pointe and offered to make her an improved pair of shoes.