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She served for forty-two years as the curator and chair of the textiles department at the Art Institute of Chicago. [1] In 1992, she was the namesake of an endowed position created in her credit, the Christa C. Mayer Thurman Chair and Curator of Textiles. [1] Thurman was awarded an honorary fellow of the American Craft Council (ACC) in 2000. [2]
In the 1970s, Dena Katzenberg joined the Baltimore Museum of Art (BMA) as the institution’s consulting textile curator. [2] Katzenberg organized numerous exhibitions during her tenure including the multi-disciplinary show “Blue Traditions” in 1973, “And Eagles Sweep Across the Sky,” which promoted Native American crafts in 1977, and “Patterns in a Revolution: French Printed ...
Ruth Barnes (born 1947) [1] is an art historian in the field of South and Southeast Asian textiles. She served as textile curator of the Ashmolean Museum in Oxford before taking up her current position as Curator of Indo-Pacific Art at Yale University. [2] She is a fellow of the Royal Asiatic Society.
Pamela Clabburn MBE (13 April 1914 – 2 July 2010) was an English author, conservationist, curator, needlewoman and textile expert. She worked for the staff of Strangers' Hall Museum in Norwich as assistant curator of social history and at Norwich Museum as their assistant history of social history.
Yoshiko Iwamoto Wada (born August 2, 1944) is a Japanese textile artist, curator, art historian, scholar, professor, and author.She has received international recognition for her scholarship and expertise in the field of textile art.
Christine Shaw-Checinska is a British Jamaican womenswear designer, curator and art historian. She is the inaugural Senior Curator of African and African Diaspora Fashion and Textiles at the Victoria and Albert Museum. Her work considers the relationship between cloth, culture and race.
Textile art Florence Lewis May (December 9, 1899 – September 6, 1988) was an American art historian and curator . May was the Curator of Textiles Emeritus at the Hispanic Society of America for the entire length of her career.
In 2007, Livingstone, with John Ploof, co-edited an anthology, The Object of Labor: Art, Cloth, and Cultural Production. [19] [20] The book includes essays and artist pages examining the effect of globalization on practices and depictions of labor in the arts through the lens of textile production.