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Dirty Mind is the third studio album by the American singer-songwriter and musician Prince. It was released on October 8, 1980, by Warner Bros. Records . The album is notable for Prince's increasing reliance on rock music elements, high register vocals, sexually explicit lyrical themes and an androgynous image.
"When You Were Mine" is a song written and released by Prince on his 1980 album, Dirty Mind. [6] Though not released as a single, the song received a promotional 12" release (which included "Gotta Broken Heart Again" and "Uptown"). "When You Were Mine" was later the B-side for Prince's "Controversy" single in 1981.
"Uptown" is the lead single from Prince's third album, Dirty Mind. [4] Beginning with a lone drum intro, the track explodes into the keyboards of the chorus. The verses feature a more prominent funk guitar. The song breaks down to a more instrumental section toward the end that mainly consists of guitar, bass and drums with an occasional ...
"Dirty Mind" is the follow-up single in the US, and title track to Prince's third album, released in 1980. [3] The song is built around a keyboard riff created by Doctor Fink, which dominates the song. The demo-like [who?] song lacks a chorus, and is a stark departure of the smooth R&B sound of Prince's first two albums. The lyrics concern ...
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On February 21, 1981, Prince and his backing band performed "Partyup" in an appearance on Saturday Night Live during the show's infamous 1980–1981 season. [5] The performance was Prince's first on the show, and one of the first performances that he had ever done on live television.
Dirty Mind is an album by Prince. Dirty Mind may also refer to: Dirty Mind (Celly Cel album), 2017 "Dirty Mind" (Prince song), the title track to the album "Dirty Mind" (The Pipettes song), a 2005 "Dirty Mind" (Shakespears Sister song), 1990 "Dirty Mind", a song by Prism from Beat Street, 1983 "Dirty Mind", a song by Tages from Tages 2, 1966
Uncut praised the material on the extra four discs, but felt that the original album was still Underworld's key record, claiming that Hyde's lyrical vision was able to make Romford sound as exotic as the USA he had seen on his travels, and that this was the reason why "twenty years later, the results of that crazy belief still sound like dance ...