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The figure on the left is the Pierrot, the sad clown from Commedia dell'arte. He has a white pointy hat, a black eye mask, a blue and white body, and white pants. He is playing a gray clarinet. His small brown hands are disproportionate to the rest of his body. The figure in the middle is the Harlequin.
Pierrot had loose white clothing, with a large matching collar. He painted his face white instead of wearing a mask. [4] Pedrolino's costume was essentially like Pierrot's—white, big buttons, short hat, and white face—but it was way too big for him, and the sleeves covered his hands, to emphasize that Pedrolino was a little person in hand ...
Pierrot figured prominently in the drawings of Aubrey Beardsley, and various writers referenced him in their poetry. [53] [54] [55] Ethel Wright painted Bonjour, Pierrot! (a greeting to a dour clown sitting disconsolate with his dog) in 1893. The Pierrot of popular taste also spawned a uniquely English entertainment.
Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin.
He removed the mask, used white powder on his face, and employed grimaces. He was small, had a long beard, and wore a predominantly black costume with a white ruff. In France, he became known as Scaramouche. [1] In the 19th century, the English actor Joseph Grimaldi and his son J. S. Grimaldi made numerous appearances as Scaramouche.
The character is a paradoy of the Pierrot character, which was a character from the Carnival balls held by the French planter class in late 18th century Trinidad. [66] The Pierrot character was a well-dressed scholar who boasted about his knowledge. [66] The Pierrot Grenade's costume is made of scraps of cloth pieced together. [66] [65]
Pierrot: French pantomime, a sad clown in a distinctive all-white attire and makeup, often pining for the love of Columbina, who usually breaks his heart and leaves him for Harlequin. Canio, Puddles the Clown, (Puddles Pity Party) The Tramp, (Charlie Chaplin character) Pirate: A romanticized stereotype of high seas pirates of the 18th century.
This character has a similar costume to the original Cattle or Bull costumes; the body is covered in plantain leaves and the masquerader wears some sort of full head mask. [16] Instead of a papier-mâché cow mask, the headpiece consists of a small, white knitted hat with two long antennae sticking out of it. [ 16 ]