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The Dark Fields is a 2001 techno-thriller novel by Irish writer Alan Glynn. [1] It was re-released in March 2011 under the title Limitless , in order to coincide with its 2011 film adaptation . [ 2 ]
Limitless is a 2011 American science-fiction thriller film directed by Neil Burger and written by Leslie Dixon.Loosely based on the 2001 novel The Dark Fields by Alan Glynn, the film stars Bradley Cooper, Abbie Cornish, Robert De Niro, Andrew Howard, and Anna Friel.
Dark Fields (also Douglas Schulze's Dark Fields and The Rain) is a 2009 American horror film directed by Douglas Schulze, written by Kurt Eli Mayry and Douglas Schulze, and starring David Carradine, Dee Wallace Stone, Richard Lynch, Ellen Sandweiss, and Sasha Higgins.
Dark Fields may refer to: Darkfield, Logitek's name for a type of sensor used on an optical mouse; Dark field, a type of illumination used in dark field microscopy; The Dark Fields, a 2001 novel by Alan Glynn The Dark Fields, the original name of the 2011 film Limitless, based on the novel
Was based on his novel The Dark Fields. This film inspired a TV series with the same name that debuted on CBS on September 22, 2015. After the success of the film, the novel was re-published under the name Limitless.
Dark Fields is a Canadian–American horror film directed by Mark McNabb and Al Randall, written by Randall, and starring Jenna Scott, Lindsay Dell, Eric Phillion, Brian Austin Jr., and Ryan Hulshof as teens hunted down by a psychopathic farmer played by Al Randall. Filmed in October 2003, on a budget of $1,000, it was not released until ...
TV movie 1990 Capital News: Cassy Swann Main role; 13 episodes 1990 Murder C.O.D. Ellie TV movie 1991 An Inconvenient Woman: Camilla Ebury TV miniseries 1993 Hotel Room: Diane Episode: "Getting Rid of Robert" 1993 Complex of Fear: Michelle Dolan TV movie 1993 Time Trax: Eve Thorn Episode: "Two Beans in a Wheel" 1993 Dream On: Allison
Writing for The Hollywood Reporter, critic Frank Scheck called the film "awfully entertaining" and praised Cross's "touching and funnily self-effacing turn." [ 1 ] The Austin Chronicle ' s Richard Whittaker praised the film as "a beautiful, quiet, lyrical, funny wilderness trip, a meditation on loss and picking up the pieces, and the most ...