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In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1] Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas.
Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". [1] Created by William Carlos Williams , it was his "solution to the problem of modern verse" [ 2 ] and later was also taken up by poets Charles Tomlinson and Thom Gunn .
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
Poetic closure is the sense of conclusion given at the end of a poem. Barbara Herrnstein Smith's detailed study—Poetic Closure: A Study of How Poems End—explores various techniques for achieving closure. One of the most common techniques is setting up a regular pattern and then breaking it to mark the end of a poem.
Although this example page about how to indent is an essay, the use of normal indentation is a behavioural guideline that editors are expected to follow. Such guidelines may be enforced by administrative action , especially when other editors have been unable to persuade an individual to abide by them.
When a poem is flooded with too much emotion, it becomes sentimental, even cheesy; but when a poem risks nothing, it leaves a reader cold. The best love poems enact the hyperaware state of being ...
Hymn: a poem praising God or the divine (often sung). Lament: any poem expressing deep grief, usually at a death or some other loss. Dirge; Elegy: a poem of lament, praise, and consolation, usually formal and sustained, over the death of a particular person. Example: "Elegy Written in a Country Churchyard" by Thomas Gray. Light: whimsical poems ...
Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .