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  2. Fingering (music) - Wikipedia

    en.wikipedia.org/wiki/Fingering_(music)

    In 2012 Rami Bar-Niv published his book "The Art of Piano Fingering -- Traditional, Advanced, and Innovative" (AndreA 1060, Tel Aviv, Israel, 212 pages). [4] The book teaches the craft of piano fingering using music examples, photos and diagrams, exercises, and injury-free techniques.

  3. Synth1 - Wikipedia

    en.wikipedia.org/wiki/Synth1

    Synth1 is a software synthesizer designed by KVR user Daichi (Real name: Ichiro Toda 戸田一郎 [1]).It was originally designed as an emulation of the Nord Lead 2 synthesizer, and has since become a unique Virtual Studio Technology instrument and one of the most downloaded VST plug-ins of all time.

  4. Cross-stringing - Wikipedia

    en.wikipedia.org/wiki/Cross-stringing

    Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.

  5. Piano extended techniques - Wikipedia

    en.wikipedia.org/wiki/Piano_extended_techniques

    string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials; whistling, singing or talking into the piano (with depressed sustain pedal) silently depressing one or more keys, allowing the ...

  6. String piano - Wikipedia

    en.wikipedia.org/wiki/String_piano

    String piano is a term coined by American composer-theorist Henry Cowell (1897–1965) to collectively describe pianistic extended techniques in which sound is produced by direct manipulation of the strings, instead of or in addition to striking the piano's keys. Pioneered by Cowell in the 1920s, such techniques are now often called upon in the ...

  7. Piano acoustics - Wikipedia

    en.wikipedia.org/wiki/Piano_acoustics

    The Railsback curve shows how a piano tuned to compensate for inharmonicity deviates from theoretically correct equal-tempered tuning. The Railsback curve, first measured in the 1930s by O.L. Railsback, a US college physics teacher, expresses the difference between inharmonicity-aware stretched piano tuning, and theoretically correct equal-tempered tuning in which the frequencies of successive ...