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He says rhetoric is arranged under three headings – “first of all, the power of the orator; secondly, the speech; thirdly, the subject of the speech.” [7] The orator's power consists of ideas and words, which must be “discovered and arranged.” “To discover” applies mostly to ideas and “to be eloquent” applies more to language. [8]
The event covers a variety of topics, but the use of humor is central to its execution. The speech should not resort to base humor, but should be topical and relevant to the idea presented. This type of speech, found at the collegiate level, is typically six to ten minutes long. [3] Generally, it is a humorous speech with a serious undertone or ...
speech by Susan B. Anthony, who in her effort to introduce women's suffrage into the United States asked her fellow citizens "how can the “consent of the governed” be given if the right to vote be denied?" 1877: The Surrender of Nez Perce Chief Joseph, pledging to "fight no more forever."
Speeches by Gaius Septimius Severus Aper against poets Aper critiques Maternus. Aper Uncertain date [89] Speech by Julius Africanus: Julius Africanus made a purposefully long speech during a trial. Julius Africanus Uncertain date [90] Speech by Maternus responding to Aper's critique Maternus responded to Aper's speech criticizing him. Maternus
In Ancient Rome, declamation was a genre of ancient rhetoric and a mainstay of the Roman higher education system. It was separated into two component subgenres, the controversia, speeches of defense or prosecution in fictitious court cases, and the suasoria, in which the speaker advised a historical or legendary figure as to a course of action.
Oratory cannot be fully considered an art because art operates through knowledge. In contrast, oratory is based upon opinions. Antonius asserts that oratory is "a subject that relies on falsehood, that seldom reaches the level of real knowledge, that is out to take advantage of people's opinions and often their delusions" (Cicero, 132).
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action.
Accumulatio – the emphasis or summary of previously made points or inferences by excessive praise or accusation.; Actio – canon #5 in Cicero's list of rhetorical canons; traditionally linked to oral rhetoric, referring to how a speech is given (including tone of voice and nonverbal gestures, among others).