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In 1976, she was the sole inaugural recipient of the National Book Development Council's (now the Singapore Book Council) Book Award in the Children's Books category. [17] Two illustrations from Moongate were selected by the British National Book League to be displayed to an international audience at the Commonwealth Book Fair.
The Company performs a repertoire that combines 19th to 21st century classical, contemporary works and newly commissioned ballets. This repertoire reflects both the heritage and origin of ballet in Europe as well as contemporary influences, and includes commissions focused on Hong Kong's culture and history, such as Firecracker by local choreographer Yuri Ng.
City Contemporary Dance Company (CCDC; traditional Chinese: 城市當代舞蹈團; simplified Chinese: 城市当代舞蹈团) is a modern dance company in Hong Kong. [1] [2] Dr Willy Tsao founded the company in 1979, [3] and he was the Artistic Director from 1989 to 2019. In May 2020, Yuri Ng was appointed as the 4th Artistic Director ...
Shield Dance (干舞), performed for military purpose or for the veneration of mountains and rivers. Dance of the People (人舞), performed in honour of the stars or ancestral temples. All the dances involved dancers holding objects such as feather plumes, yak-tails or shield, except the Dance of the People which is focused on sleeve movements ...
With her experience as a dancer, Lee helped organize several dance dramas for the Hong Kong Dance Company. In 2001, Lee directed a dance drama adapted from her novel Fen Mo Chun Qiu (粉墨春秋), performed by Hua Jin Dance Company. In 2013, she worked with the National Theatre Company of China and adapted her novel Green Snake into a dance drama.
Up-and-coming Hong Kong filmmaker Anselm Chan has the answer in “The Last Dance,” in which a cash-strapped former wedding planner and a stern old Taoist priest become unlikely partners in the ...
After the handover of Hong Kong, the University of Hong Kong surveyed Hong Kong residents about how they defined themselves. In its latest poll published in June 2022, 39.1% of respondents identified as Hong Konger, 31.4% as Hong Konger in China, 17.6% as Chinese, 10.9% as Chinese in Hong Kong, and 42.4% as mixed identity. [ 16 ]
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