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Capoeira (Portuguese pronunciation: [kapuˈe(j)ɾɐ]) is a Afro-Brazilian martial art and game that includes elements of dance, acrobatics, music and spirituality.. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks.
Tuff E Nuff, known in Japan as Dead Dance (デッドダンス, Deddo Dansu), is a 1993 fighting game developed and released by Jaleco for the Super Nintendo Entertainment System. Gameplay [ edit ]
The capoeira game starts with keeping the body in constant motion with dancelike steps, making capoeiristas elusive targets for opponents. [4] The constant triangular footwork makes capoeira both easily recognizable and confusing, since it looks much more like a rhythmic dance step than a fighting stance.
The Hidden History of Capoeira: A Collision of Cultures in the Brazilian Battle Dance. University of Texas Press. ISBN 978-0-292-71723-7. Desch-Obi, Thomas J. (2008). Fighting for Honor: The History of African Martial Art Traditions in the Atlantic World. University of South Carolina Press. ISBN 978-1-57003-718-4.
Elena, an African woman, was envisioned to have long arms and legs, and capoeira was chosen as a suitable fighting style for her. [16] The Fatal Fury series features two capoeira fighters, Richard Meyer and Bob Wilson. Zone 4, an online martial arts game, includes capoeira as a playable fighter's type. [17] Other games featuring capoera include:
Juego de maní ('game of peanut') often simply called maní or mani, sometimes referred to as baile de maní ('dance of peanut') or bambosa, [1] is a stick-fighting martial art and dance that was developed in Cuba by African slaves. It is still kept alive today in Cuba by folkloric groups. Practitioners are referred to as maniseros. [2]
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The engolo also resembled the zebra's fighting style, particularly the zebra kicks executed with the palms touching the ground, which is a defining feature of engolo. [9] Matthew Zylstra suggests that a dance performed by the Gwikwe Bushmen bears a striking resemblance to the Angolan art.