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Spotify Live, formerly Spotify Greenroom, was a social audio app by Spotify, that allowed users to host or participate in live-audio virtual environments called "room" for conversations. Each room had a maximum capacity of 1000 people.
Spotify allows users to add local audio files for music not in its catalog into the user's library through Spotify's desktop application, and then allows users to synchronize those music files to Spotify's mobile apps or other computers over the same Wi-Fi network as the primary computer by creating a Spotify playlist, and adding those local ...
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Spotify's most streamed song for the longest period of time was "Shape of You" (2017) by the English singer-songwriter Ed Sheeran. Currently, 870 songs have surpassed one billion streams on Spotify, [1] 135 have surpassed two billion, 17 have surpassed three billion, and two have surpassed four billion Spotify streams.
Spotify, a music streaming company, has attracted significant criticism since its 2008 launch, [1] mainly over artist compensation. Unlike physical sales or downloads, which pay artists a fixed price per song or album sold, Spotify pays royalties based on the artist's "market share"—the number of streams for their songs as a proportion of total songs streamed on the service.
Hype Machine was originally a music database created in 2005 by Anthony Volodkin, then a sophomore computer science major at Hunter College. [1] The site was born out of Volodkin's frustration with music magazines and radio stations. [2] He said, "I discovered MP3 blogs like Stereogum and Music for Robots.
Individual songs are usually priced at either US$1.99/€1.49/£0.99, or US$1.00/€0.75/£0.59, with a few exceptions priced at £1.19 or £1.49/€1.99; [16] all are available for download through PlayStation Network, Xbox Live and the Wii's online service unless otherwise noted on the list below. In the US, some downloadable songs have been ...
Musically, the album is a transitional release between more concise, conventional pop music with avant-garde electronics and free-form jazz improvisations, using a scaled-down, keyboard-led trio format similar to The Nice. The album initially saw release only in the United States, Canada and France, [4] where it made little impact.