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Various German language blackletter typefaces English blackletter typefaces highlighting differences between select characters Modern interpretation of blackletter script in the form of the font "Old English" which includes several anachronistic glyphs, such as Arabic numerals, ampersand (instead of Tironian et) and several punctuation marks ...
The Old English Latin alphabet generally consisted of about 24 letters, and was used for writing Old English from the 8th to the 12th centuries. Of these letters, most were directly adopted from the Latin alphabet, two were modified Latin letters (Æ, Ð), and two developed from the runic alphabet (Ƿ, Þ).
A modern sans-serif and four blackletter typefaces (left to right): Textur(a), Rotunda, Schwabacher and Fraktur.. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand.
Capital wynn appears twice in this 10th century inscription in Breamore: her sƿutelað seo gecƿydrædnes ðe (Here is manifested the Word to thee). Wynn or wyn [1] (Ƿ ƿ; also spelled wen, win, ƿynn, ƿyn, ƿen, and ƿin) is a letter of the Old English alphabet, where it is used to represent the sound /w/.
English: An example blackletter typeface called "Old English". Español: El alfabeto en "Letra Gótica". ... Added missing letters e and f: 17:41, 3 December 2006:
Thorn or þorn (Þ, þ) is a letter in the Old English, Old Norse, Old Swedish and modern Icelandic alphabets, as well as modern transliterations of the Gothic alphabet, Middle Scots, and some dialects of Middle English. It was also used in medieval Scandinavia but was later replaced with the digraph th, except in Iceland, where it survives.
The capital letter "A" in the Latin alphabet, followed by its lowercase equivalent, in sans serif and serif typefaces respectively. Capitalization (American spelling; also British spelling in Oxford) or capitalisation (Commonwealth English; all other meanings) is writing a word with its first letter as a capital letter (uppercase letter) and the remaining letters in lower case, in writing ...
Old English did not always make a distinction between uppercase and lowercase, and at best had embossed or decorated letters indicating sections. Middle English capitalization in manuscripts remained haphazard, and was often done for visual aesthetics more than grammar; in poetry, the first letter of each line of verse is often capitalized.