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A good example of its usage is the Sankethi endonym for the language: ಎಂಗಡೆ ವಾರ್ಥೆ (eṃgaḍe vārthe), which implies that the language belongs to the speaker and the Sankethi community, so as to distinguish it from a shared language. Below is a table of pronouns:
Twilight language or secret language is a rendering of the Sanskrit term sāṃdhyābhāṣā (written also sāndhyābhāṣā, sāṃdhyabhāṣā, sāndhyabhāṣā; Wylie: dgongs-pa'i skad, THL gongpé ké) or of their modern Indic equivalents (especially in Bengali, Odia, Assamese, Maithili, Hindi, Nepali, Braj Bhasha and Khariboli).
[6] [4] These are set in the form of hymns and poems mostly in the Braj Bhasha (Old western Hindi), [6] with some parts in Avadhi, Punjabi, Hindi, and the Persian language. [4] The script is almost entirely the Gurmukhi script except for the letter of the Sikh Guru to Aurangzeb – Zafarnama, and the Hikayat in the Persian script. [4]
The first Hindi books, using the Devanagari script or Nāgarī script were Heera Lal's treatise on Ain-i-Akbari, called Ain e Akbari ki Bhasha Vachanika, and Rewa Maharaja's treatise on Kabir. Both books were published in 1795. [citation needed] Munshi Lallu Lal's Hindi translation of Sanskrit Hitopadesha was published in 1809.
The nuqta, and the phonological distinction it represents, is sometimes ignored in practice; e.g., क़िला qilā being simply spelled as किला kilā.In the text Dialect Accent Features for Establishing Speaker Identity, Manisha Kulshreshtha and Ramkumar Mathur write, "A few sounds, borrowed from the other languages like Persian and Arabic, are written with a dot (bindu or nuqtā).
Dr. Kapil Deva Dvivedi is the director of Vishva Bharati Research Institute, and a noted Sanskrit scholar in India. He has published over 70 books on Vedic and Sanskrit Literature. [1]
Surdas's poetry was written in a dialect of Hindi called Braj Bhasha, until then considered to be a very plebeian language, as the prevalent literary languages were either Persian or Sanskrit. His work raised the status of the Braj Bhasha from a crude language to that of a literary one.
Mahavir Prasad Dwivedi (15 May 1864 – 21 December 1938) was an Indian Hindi writer and editor. Adhunikkaal, or the Modern period of the Hindi literature, is divided into four phases, and he represents the second phase, known as the Dwivedi Yug (1893–1918) after him, which was preceded by the Bharatendu Yug (1868–1893), followed by the Chhayavad Yug (1918–1937) and the Contemporary ...