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A list of songs based on samples of speech (monologues or dialogue). These can be recordings of public speeches, radio broadcasts, television broadcasts and/or film, TV and/or video game quotes, monologues or dialogues.
Adam sang the song at the 1977 National Women's Conference in Houston, and it became a feminist as well as a gay anthem promoting LGBT rights in the United States. [18] 1980: Dolly Parton "9 to 5" 9 to 5 and Odd Jobs: Created for the playful-but-anti-patriarchal comedy film 9 to 5, the song was picked up as an anthem for women working in the ...
Songs about school have probably been composed and sung by students for as long as there have been schools. Examples of such literature can be found dating back to Medieval England. [ 1 ] The number of popular songs dealing with school as a subject has continued to increase with the development of youth subculture starting in the 1950s and 1960s.
The women in Springsteen's music, unlike the depiction of women in rock ‘n’ roll for decades, are multi-faceted and complex. Their role is pivotal in Springsteen's, and his fans’, worlds.
LONDON − Abigail Barlow and Emily Bear know how to go beyond. The songwriting duo of Barlow & Bear did just that as the youngest and first all-female songwriting team for a Disney animated film ...
Both African-American women work songs, African American work songs, and the work song, in general, use the call-and-response format often. It can also be found in the music of the Afro-Caribbean populations of Jamaica , Trinidad & Tobago , Bahamas , Barbados , Belize , and many nations of the diaspora, especially Brazil.
Maggie May (folk song) María la del Barrio (song) Mary Had a Little Lamb; Mary Mack; Mary, Mary, Quite Contrary; Minnie's Yoo-Hoo; Miss Lucy had a baby; Miss Molly Had a Dolly; Miss Polly Had a Dolly; Miss Susie; Mona Lisa (Nat King Cole song) Mother Machree (song) Mrs. Potato Head (song) Mrs. Steven Rudy; My Sister (Juliana Hatfield song)
The mezzo-soprano is the middle female voice and the most common of the female singing voices, which tends to dominate in non-classical music, with vocal range that typically lies between the A below "middle C" (C 4) to the A two octaves above (i.e. A 3 –A 5).