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Platoon is a 1986 American war film written and directed by Oliver Stone, starring Tom Berenger, Willem Dafoe, Charlie Sheen, Keith David, Kevin Dillon, John C. McGinley, Forest Whitaker, and Johnny Depp.
Year Title Director Studio Notes 1954 You Are Welcome [1] [2] [3]: Oliver L. Vardy Studio Hamburg Promotional film for the tourist information office of Newfoundland: 1958
The song appeared in the 1986 film Platoon, when Chris Taylor (Charlie Sheen) visits a hut of marijuana-smoking soldiers. An a cappella version of the song was used during WWE live events and during commercial breaks of televised shows in September 2022, while QR codes were also hidden in various locations on episodes of Raw and SmackDown.
Adagio for Strings can also be heard on many film and television soundtracks, including The Elephant Man (1980), Platoon (1986), Lorenzo's Oil (1992), and Outlander. [3] [38] [39] More comedic or lighthearted uses of it have appeared in the film Amélie (2001) and on episodes of the sitcoms Seinfeld, The Simpsons, American Dad!, and South Park ...
After the release of Platoon, the project was revived at Universal Pictures, with Stone attached to direct. Shot on locations in the Philippines, Texas and Inglewood, California, principal photography took place from October 1988 to December, lasting 65 days of filming. The film went over its initial $14 million production budget and ended up ...
After a botched covert operation in Cuba in which three men from his platoon were killed, he returns home to Miami. He surprises his girlfriend, Jane Hetzko, at her apartment; she welcomes him warmly. Hetzko is a schoolteacher at inner-city Columbus High School, an institution with a considerable gang problem.
James Newton Howard (born June 9, 1951) [1] is an American film composer, orchestrator and music producer. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards.
The song, released during the peak period of the U.S. involvement in the Vietnam War, is not explicit in its criticism of that war in particular, rather, it "speaks more to the unfairness of class than war itself," and the children of the wealthy being able to avoid the draft, according to its writer, John Fogerty.