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To categorize Lao music, it seems helpful to distinguish between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the classical music traditions and its basic ensembles, and vocal traditions. The most popular form of music in Laos is the indigenous mor lam.
Lao music today comes in a wide variety of styles and from different national origins. Outside of Laos, Lao music is mainly created in the United States, France and Canada. An increasing amount of transnational Lao (alternative) rock, pop and hip hop created a new 'oeuvre' next to the traditional Lao music like morlam.
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/, and signifies 'to sing' or a
This still affects today's chanson as many French musicians still employ harp and keyboard. During the 18th century, vocal music in France was dominated by opera , but solo song underwent a renaissance in the 19th century, first with salon melodies and then by mid-century with highly sophisticated works influenced by the German Lieder , which ...
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A khene player and Lao dancers at a morlam performance in France. Lam Lao (ລຳລາວ) or morlam (ໝໍລຳ [mɔ̌ː lám]) is the general descriptor for Lao folk music, which at its most basic level consists of the singer/story-teller and the khene (ແຄນ [kʰɛ́ːn]).
“If history isn’t documented, then it’s forgotten,” a librarian involved in creating Fresno State’s Hmong history repository said.
Southeast Asian music encapsulates numerous musical traditions and styles in many countries of Southeast Asia. This subregion consists of eleven countries, namely, Brunei , Cambodia , East Timor , Indonesia , Laos , Malaysia , Myanmar , Philippines , Singapore , Thailand and Vietnam , which accommodate hundreds of ethnic groups.