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On the 500th anniversary of the Spanish conquest of the Aztecs in Mexico, on Aug. 13, 1521, the documentary "499" from Rodrigo Reyes tackles colonialism's shadow.
The first Spanish account of the conquest was written by lead conqueror Hernán Cortés, who sent a series of letters to the Spanish monarch Charles V, giving a contemporary account of the conquest from his point of view, in which he justified his actions. These were almost immediately published in Spain and later in other parts of Europe.
The Spanish Empire claimed jurisdiction over the New World in the Caribbean and North and South America, with the exception of Brazil, ceded to Portugal by the Treaty of Tordesillas. Other European powers, including England, France, and the Dutch Republic, took possession of territories initially claimed by Spain.
In April 1519, Hernán Cortés, a nobleman recently landed in present-day Cuba and the leader of the third Spanish expedition to the coast of what is known as Mexico, landed at San Juan de Ulúa, a high-quality harbour on Mexico's east coast, with 508 soldiers, 100 sailors, and 14 small cannons. (Survivors of the previous two expeditions ...
The Spanish colonization of the Americas reached the mainland during the reign of Hueyi Tlatoani Moctezuma II (Montezuma II). In 1521, Hernán Cortés , along with an allied army of other Native Americans, conquered the Aztecs through siege warfare, psychological warfare, direct combat, and the spread of disease.
LACMA is marking the 500th anniversary of the fall of the Aztec capital of Tenochtitlan with an exhibition that aims to subvert the traditional narrative of Spanish conquest over Mexico.
Francisco de Aguilar (1479 — 1571?), born Alonso de Aguilar, was a Spanish conquistador who took part in the expedition led by Hernán Cortés that resulted in the conquest of the Aztec Empire and the fall of Tenochtitlan, the capital of the Aztec state in the central Mexican plateau.
The conquest of Mexico is depicted through Indigenous art in a pair of intriguing albeit uneven shows at the museum. Review: The conquered rather than the conquerors are given the stage in LACMA's ...