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Romanian verbs are traditionally categorized into four large conjugation groups depending on the ending in the infinitive mood. The actual conjugation patterns for each group are multiple. First conjugation: verbs ending in –a (long infinitive in –are ), such as a da, dare "to give", a cânta, cântare "to sing", including those ending in ...
Romanian verbs are highly inflected in comparison to English, but markedly simple in comparison to Latin, from which Romanian has inherited its verbal conjugation system (through Vulgar Latin). Unlike its nouns, Romanian verbs behave in a similar way to those of other Romance languages such as French , Spanish , and Italian .
The usual word order in sentences is subject–verb–object (SVO). Romanian has four verbal conjugations which further split into ten conjugation patterns. Romanian verbs are conjugated for five moods (indicative, conditional/optative, imperative, subjunctive, and presumptive) and four non-finite forms (infinitive, gerund, supine, and participle).
Romanian verbs; This page was last edited on 5 October 2020, at 23:18 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
The following table presents a comparison of the conjugation of the regular verb cantare "to sing" in Classical Latin, and Vulgar Latin (reconstructed as Proto-Italo-Western Romance, with stress marked), and nine modern Romance languages. The conjugations below were given from their respective Wiktionary pages.
Romance languages have a number of shared features across all languages: Romance languages are moderately inflecting, i.e. there is a moderately complex system of affixes (primarily suffixes) that are attached to word roots to convey grammatical information such as number, gender, person, tense, etc. Verbs have much more inflection than nouns.
A verb that does not follow all of the standard conjugation patterns of the language is said to be an irregular verb. The system of all conjugated variants of a particular verb or class of verbs is called a verb paradigm; this may be presented in the form of a conjugation table.
Depending on the verb mood, tense, and initial phoneme, the doubling personal pronoun will change in several regards: (1) which form, full or clitic, of the pronoun is used, (2) the position relative to the verb or verb parts, and (3) whether it is a true clitic attached phonetically to the verb or it is a separate word. The table below shows ...