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Howard Pyle's version of the tales of King Arthur introduces the reader to Arthur as a child. Arthur, having been raised by foster parents, has no knowledge of his noble lineage. One day, a 15-year old Arthur finds a sword and succeeds in pulling it out of an enchanted anvil, a task thought to be impossible.
The Story of the Grail and the Passing of Arthur is a 1910 novel by the American illustrator and writer Howard Pyle. The book tells of Sir Geraint and his wife Enid, Sir Galahad and how he achieved the Holy Grail, and the death of King Arthur. It is the last of Pyle's Arthurian series.
Howard Pyle (March 5, 1853 – November 9, 1911) was an American illustrator, painter, and author, primarily of books for young people. He was a native of Wilmington , Delaware , and he spent the last year of his life in Florence , Italy.
Download as PDF; Printable version; ... Pages in category "Novels by Howard Pyle" ... The Story of the Grail and the Passing of King Arthur
By Howard Pyle (1903) [100] Arthur and his retinue appear in some of the Lais of Marie de France, [101] but it was the work of another French poet, Chrétien de Troyes, that had the greatest influence with regard to the development of Arthur's character and legend. [102] Chrétien wrote five Arthurian romances between c. 1170 and 1190.
The Story of the Grail and the Passing of King Arthur The Story of Sir Launcelot and His Companions is a 1907 novel by the American illustrator and writer Howard Pyle . The book consists of a large series of episodes in the legend of the chief knight of the Round Table , Sir Launcelot , and many of his friends, including the Lady Elaine , Sir ...
First Named in "King Arthur Meets Lady Guinevere" Howard Pyle Son of King of Umberland, and brother unto Enchantress Vivien, one of the original 32 Knights of the Round Table Erec† Unclear; first literary appearance as Erec in Erec and Enide, c. 1170 see Geraint and Enid: Son of King Lac and a Knight of the Round Table Escanor the Handsome Girart
Howard Pyle's illustration for The Story of King Arthur and His Knights (1903) In the Post-Vulgate version, used in Malory's Le Morte d'Arthur for the second Excalibur, the sword's scabbard is also said to have powers of its own, as any wounds received while wearing it would not bleed at all, thus preventing the wearer from ever bleeding to ...