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Interactive art can be distinguished from generative art in that it constitutes a dialogue between the artwork and the participant; specifically, the participant has agency, or the ability, even in an unintentional manner, to act upon the artwork and is furthermore invited to do so within the context of the piece, i.e. the work affords the ...
Wands, Bruce Art of the Digital Age, Thames and Hudson 2006, pp. 89, 139, ISBN 0500286299 | ISBN 978-0500286296; Weibel, Peter and Shaw, Jeffrey, Future Cinema, MIT Press 2003, pp. 472,572-581, ISBN 0-262-69286-4; Wilson, Steve Information Arts: Intersections of Art, Science, and Technology ISBN 0-262-23209-X
The exhibit itself serves as a cohesive group of art pieces that deconstruct the fabrications of the past and reveal the present for its true nature. [13] This exhibit was curated by Xiaoyu Weng with the intention of being politically polarized and creating a dialogue about migration and borders in China. [3]
A new interactive art installation in New York City is allowing viewers to communicate with people 3,000 miles away in Dublin, Ireland.. The brainchild of Lithuanian artist Benediktas Gylys ...
Marc Lee 10.000 Moving Cities, 2010-ongoing, National Museum of Modern and Contemporary Art Seoul An urban interactive art installation by Maurizio Bolognini (Genoa, 2005), which everybody can modify by using a cell phone. An interactive installation frequently involves the audience acting on the work of art or the piece responding to users ...
New media art includes artworks designed and produced by means of electronic media technologies. It comprises virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, immersive installation and cyborg art.
The exhibition also features pieces from Koons’ Gazing Ball series, where he recreates classical paintings and sculptures with the addition of cobalt-blue spheres that distort and reflect their ...
Her projects explore technology in digital media and science. Hershman Leeson was the first artist to launch an interactive piece using Videodisc, a precursor to DVD (Lorna, 1983–84), as well the first artist to incorporate a touch screen interface into her artwork (Deep Contact, 1984–1989).