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The most-common arrangement of tempos on a Maelzel metronome begins with 40 beats per minute and increases by 2 BPM: 42 44 46 48 50 52 54 56 58 60, then by 3 BPM: 63 66 69 72, then by 4 BPM: 76 80 84 88 92 96 100 104 108 112 116 120, then by 6 BPM: 126 132 138 144, then by 8 BPM: 152 160 168 176 184 192 200 208.
For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying two beats every second. The note value of a beat will typically be that indicated by the denominator of the time signature. For instance, in 4 4 time, the beat will be a crotchet, or quarter note.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Remain in Light is the fourth studio album by the American rock band Talking Heads, released on October 8, 1980, by Sire Records.The band's third and final album to be produced by Brian Eno, Remain in Light was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in New York in July and August 1980.
The sheet music indicates that the song is set in common time and has a moderately slow tempo with a metronome of 74 beats per minute. [8] [9] It is written in the key of A major arranged in the chord progression of A–Esus4–E–F ♯ m–D–A–Esus4-E–F ♯ m–D–Bm–D in the verses, and A–Esus4–E–F ♯ m–E–D–E in the chorus.