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These mainstream reviews had the effect of introducing fan editors to each other and of creating a fanzine scene. The popularity of video game fanzines diminished greatly with the rise of the internet, however some zines—particularly the classic gaming ones (e.g. Classic Gamer Magazine and Video Game Collector)—continued beyond the mid-90s.
A zine (/ z iː n / ⓘ ZEEN; short for magazine or fanzine) is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation.
The concept of the video magazine began in the 1980s with low-budget titles such as Flipside Video Fanzine, an adjoining video supplement to the punk fanzine Flipside. [1] By the beginning of the 1990s, the concept had fully cohered and a number of titles were produced by major media organizations in both the United States and Britain.
Damage - officially Damage: An Inventory - was a punk fanzine from San Francisco, California. There were 13 issues, from July 1979 to June 1981, appearing roughly every two months. It was printed on 11-1/2 x 17-3/4″ newsprint. Issues were generally 36 to 48 pages long. Its editor was Brad Lapin.
A science-fiction fanzine is an amateur or semi-professional magazine published by members of science-fiction fandom, from the 1930s to the present day.They were one of the earliest forms of fanzine, within one of which the term "fanzine" was coined, and at one time constituted the primary type of science-fictional fannish activity ("fanac").
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A fan magazine is a commercially written and published magazine intended for the amusement of fans of the popular culture subject matter that it covers. It is distinguished from a scholarly, literary or trade magazine on the one hand, by the target audience of its contents, and from a fanzine on the other, by the commercial and for-profit nature of its production and distribution.
Denim Delinquent was an underground fanzine of seven issues in total, published from 1971 to 1976. It was the first rock and roll fanzine to come out of Canada. The zine began as a launching pad for the writing of Jymn Parrett and Mark Jones in Ottawa, Ontario.