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For example, oxygen is necessary for fire. But one cannot assume that everywhere there is oxygen, there is fire. A condition X is sufficient for Y if X, by itself, is enough to bring about Y. For example, riding the bus is a sufficient mode of transportation to get to work.
The Comedy of Errors is one of William Shakespeare's early plays. It is his shortest and one of his most farcical comedies, with a major part of the humour coming from slapstick and mistaken identity, in addition to puns and word play.
If, for example, one were to ask whether you were going to New York or London, or if your favourite colour were red or blue, or if you had given up a particular bad habit, he would be guilty of the fallacy of the complex question, if, in each case, the alternatives, as a matter of fact, were more numerous than, or were in any way different from ...
The satirical and farcical element which featured so strongly in Aristophanes' comedies was increasingly abandoned, the de-emphasis of the grotesque—whether in the form of choruses, humour or spectacle—opening the way for greater representation of daily life and the foibles of recognisable character types.
The farcical anti-climax: The holiday spirit might also have been responsible for an aspect of the comic plot that can seem bewildering to modern audiences. The major confrontation ( agon ) between the 'good' and 'bad' characters in a play is often resolved decisively in favour of the former long before the end of the play.
Getty Villa – Storage Jar with a chorus of Stilt walkers – inv. VEX.2010.3.65. A Greek chorus (Ancient Greek: χορός, romanized: chorós) in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage ...
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The academic Sos Eltis comments that although Wilde's earliest and longest handwritten drafts of the play are full of "farcical accidents, broad puns and a number of familiar comic devices", [107] in his revisions "Wilde transformed standard nonsense into the more systematic and disconcerting illogicality which characterizes Earnest's dialogue ...